Elementals

Elementals – a solo show of original artwork by Karen Hochman Brown
Four mixed-media banners accompanied by animations
Lancaster Museum of Art and History
August 4 to September 26, 2018
 
I have always been fascinated by finding and creating cohesive art out of dichotomies and juxtapositions: nature and machine, the organic and the technological, micro and macro. My art invites you to discover the potential infinite connections one might find between seemingly disparate worlds.
In the series, “Elementals”, I utilized different machines, both simple (gear driven rope twisting device) and complex (computer), as tools to reinterpret and manipulate the natural world, specifically reimagining the core building blocks of Air (AER), Earth (TERRA), Fire (IGNUS), and Water (AQUA).
 
Mixed-media banners:  satin charmeuse, silk dupioni, wool, wood, aluminum, sheet acrylic, and acrylic paint.

With each piece, I begin by importing a photograph into a modular graphics-synthesizer program where I implement a variety of algorithms. I use polar space, fractal space, assorted modulations, reflections, waves, distortions and symmetries to achieve each layer of my digital constructs. Using this technology, I draw out the essence of my subject, placing focus on details and developing an emotion through repetition and distortion. AER should feel like breath; TERRA is solid yet fertile; IGNUS is unstable and volatile; AQUA is powerful and ever-changing.

Presenting this work as fabric banners has given me a chance to return to the act of physically creating something. As a digital artist, I work at the computer. Most of what I produce never leaves the computer.  When it’s time to print, the substrate then comes into play. For the last several years, I have been printing my kaleidoscopic work on metal. The result is vibrant and shiny. It is also very hard. So I am experimenting with some new toys (laser cutter) and some old toys (sewing machine) and creating something softer to buffer the noise that clutters our lives. 

Accompanying the banners are two mood animations devised from the base photography used to create the flags. These animations are art pieces and have no plot or linear elements.
 

Each banner contains two QR codes that link to extra content related to the artwork. Follow the links below to view the QR content.
One code leads to the photograph used to create the piece. I have paired the image with a poem related to the element. 
 
The other code leads to an animation that illustrates the layers used for the graphic image. For best viewing, watch full screen. Click on the image to start the video.

Shoreline Symmetry

I grew up in Santa Barbara and spent many happy days at the beach. I was the kid who collected driftwood and shells. I would jump rope with the long pieces of sea kelp that were deposited on shore after stormy high tides. And I would spend hours playing in the surf. As I travel, I am always inspired by the majesty of the ocean. The salt air draws me in and the hypnotic rhythms of the waves hook me.

Shoreline Symmetry
A solo exhibition


The Gallery Room at California Center for Digital Arts

Opening September 1, 5-9 PM (part of Santa Ana Artwalk)
Artist Talk, September 22, 2-4 PM
On View through September 30, 2018

or by appointment
(714) 529-4686 or info@centerfordigitalarts.com.

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Botanic Geometry

I’m excited to announce I am having a solo show at Crain Art Gallery! During the six-week run, I will be at the gallery four separate days to visit with you. Saturday, March 3 is my opening reception. I plan to have some video work running as well as the art that is hanging on the walls.

On three days in March and April, I will come to the gallery as Artist-In-Residence. I will be on the grounds during business hours to create a new piece during the day. Come by between 2 and 4 to see how I have progressed with each new artwork. I’d love to talk to you about my process. 

Addendum:  
The April 1 demonstration has a been canceled as the Library will be closed for Easter.

  • Crain Art Gallery “Botanic Geometry” – 2/24/18 – 4/6/18
    Karen Hochman Brown solo show
  • Where: Crowell Public Library – San Marino, CA
  • Reception for the Artist: 3/3/18, 2:00-4:00 PM 
  • Artist-in-Residence Demonstrations: 
    • 3/11/18: 2:00 PM-4:00 PM
    • 3/24/18: 2:00 PM-4:00 PM
    • 4/1/18: 2:00 PM-4:00 PM
  • Hours of Operation:
    • Mon-Thurs: 10:00 AM – 9:00 PM
    • Fri & Sat: 10:00 AM – 5:00 PM
    • Sunday: 1:00 PM – 5:00 PM

 

 

Third time’s a charm at the Arboretum

Peace Lily Montage by Karen Hochman Brown

Peace Lily Montage by Karen Hochman Brown
A montage of images use to create Peace Lily Nouveau

The peace lily exudes calm and serenity.  Its starkly beautiful form and chaste simplicity easily flow into languid patterns.

At my third session creating artwork on site at the LA County Arboretum, the weather was gloomy. The diffused lighting allowed me to capture the delicate differences in the shades of white that cannot be captured when the lighting is bright.

I will return to the Arboretum on Saturday, June 4, 2016 (11:00 AM to 4:30 PM) for my fourth and final time making art there in conjunction with my exhibition,”Reflections in the Garden.” I will once again take up residence in the Gallery at the Arboretum Library, creating another artwork on site!

 

 

Artist-In-Residence, take two, at the LA Arboretum

"Goji Draco Fabrication" shown with its base image and the reflected foundlings that were used to make the artwork
“Goji Draco Fabrication” shown with its base image and the reflected foundlings that were used to make the artwork. Click the image for an enlargement.

This last weekend at the Los Angeles County Arboretum, they celebrated the official opening to their demonstration garden, Crescent Farm, highlighting steps to create beautiful, bountiful gardens with less water.  To tie into this milestone, I took my inspiration for this artwork from photographs I captured at “the crescent.” The area is abundant with native wildflowers. Additionally, there are interesting garden accents honed from natural materials. I found a mulch of bark laid out in a curved fan pattern. There were pathways lined with lengths of dried bamboo and logs around a tree in a talking circle.

But what really caught my eye was a woven support for an otherwise unkempt plant. What was once a bunch of garden castoffs is now a functional and esthetically pleasing structure. A Dragon Tree provided the material for the weave that now supports a variety of Goji Berry.

The piece I created as Artist-In-Residence at is “Goji Draco Fabrication.” Maybe it would have looked more dragon-like if I had known the source of the brown/orange material. I didn’t learn the identity of the plants until the artwork was complete. Many thanks to the Arboretum staff for helping me identify the subjects of my work.

@LAArboretum  #KarenHochmanBrown #ArtistInResidence #liveart #digitalart #kaleidoscope

 

Recap of 1st Arboretum event

RITG-AIR live 1
Karen Hochman Brown (r), Artist-In-Residence @LA Arboretum

Last Saturday, I had the pleasure of sharing my art-making process at The Gallery at the Arboretum Library, (Los Angeles County Arboretum and Botanical Garden). I started at 11:00 in the morning by setting up my computer station. I am using a MacBook Pro with an external monitor. This enables me to mirror my screen and be able to talk face-to-face with people; they can see what I am doing without standing behind me.

Peacock Art with foundlings
Pumped-up Peacock with components. Click the image to see enlargement.

The next step was to take photographs to use for base images. I found some lovely bird of paradise and some gorgeous cacti. But I honed in on a peacock strutting his stuff. Many peacocks live at the Arboretum in Arcadia, CA, and in fact, peacocks are the official “city bird.”

Once I decided on the image, I began creating layers of kaleidoscopic reflections. The program I use for this is ArtMatic Designer. It gives me some very powerful tools to change the shape of the mirrors. In a normal session, I will render out at least a dozen layers to select from. Click on the image of Pumped-Up Peacock for an enlarged version to see the layers and base images that were used to make the artwork.

For the remainder of the work I use Photoshop. The layers are cut apart, stacked and shaded until I decide the piece is done. This is the first time that I have created an entire artwork outside of my studio at home. I wasn’t sure I could do it considering the time constraints. I did it! I was able to finish the piece in five hours.

Next Artitist-In-Residence event:
April 16, from 11:00 am – 4:30 pm.

The gallery show continues through June 30, 2016.
Check the Arboretum website for hours.

 

Arboretum Artist-in-Residence

The Forecast Is Fern

My kaleidoscopic artworks are still on display at the Gallery at The Los Angeles County Arboretum. The show, Reflections In The Garden runs through the end of June, and is housed in the Arboretum’s newly renovated Library.

I’m happy to announce that I will be demonstrating my creation process on four separate occasions, onsite at the gallery. I’m taking my camera and computer and will create a new piece, from start to finish over a five hour period. In each session, I will begin by taking photographs around the Arboretum grounds. I will select an image to work with and then make several layers of the image, reflected in many ways. I will continue with my process until I (hopefully) finish an artwork. Come watch me work.

Join me at the Arboretum!

To get to the Gallery at The Los Angeles County Arboretum, go to the main entrance and the Library is immediately to the left, through the double doors. Admission or membership are required to tour the grounds, however it is not required to visit the Library.

301 North Baldwin Avenue • Arcadia, CA  91007

11:00 AM – 5:00 PM

Saturday, March 26, 2016

Saturday, April 16, 2016

Saturday, May 7, 2016

Saturday, June 4, 2016

My process

Artwork Bird OParadise

Base-BOP
Bird Paradise base image

Artmatic demo BOP
Artmatic graphic synthesizer

Every one of my kaleidoscopic artworks starts with a photograph. I’m going to use as an example the piece Bird OParadise. As you might have guessed, the subject is the bird of paradise flower. The sturdy purple and orange blossom shows up against a muted green background. They come together for a natural display of secondary colors. Pay special attention to the blue-violet flower petal speckled in dewdrops emerging from the structural flower’s beak-like sheath or spathe.

I import the base image into a graphic synthesizer program (ArtMatic) for manipulation. The photograph is filtered through a variety of mathematical transformations—stretched, bent and reflected through fractals, polar space and fun-house mirrors. Interesting results are saved as key-frames that can be rendered into large-scale graphic files.

Foundlings-BOP
Twelve foundlings for Bird OParadise

The key-framing process allows an image to be animated over time (videos) however, for this series, I only capture the still frames, instructing the software to render the kaleidoscopic reflections. I call the resulting images “foundlings.” I collect the foundlings and tuck them away in a folder, preparing for a digital collage.

Masked-BOP
Masked foundling

After creating several foundlings, I examine them in large scale—sorting, selecting and sometimes creating more, as the artwork requires. I prepare the selected foundlings in Adobe Photoshop using a technique called masking (think of a digital X-acto with a lot more control). I  gather the masked foundling into layers and manipulate the light and shadow to enhance the illusion of depth in the finished artwork.

 

Reflections In The Garden at the LA County Arboretum

I am very happy to announce that I am to be the inaugural artist of the newly renovated Library at the Arboretum. The interior space has been designed with the intent to show local artists whose work complements its surrounding botanical collection. I am installing my kaleidoscopic artwork in early January with the show running through the end of June.
Reflections In The Garden notice